Abstract Submission
ANNOUNCEMENTS
Home
HISARLI AHMET
About Hisarli Ahmet
Hisarli Ahmet in Photos
The Voice of Hisarli Ahmet
General Information
Important Dates
Participation Fee
Transportation
Presentation Guidelines
Symposium
Symp. Organization Chart
Past Symposiums
12th Symposium (2022)
Special Publications
Committees
Honorary Board
Executive Board
Scientific Committee
Organizing Committee
Activities
Mixed Exhibition
CONTACT
Home
Corporate
Hisarli Ahmet
About
Hisarli Ahmet in Photos
The Voice of Hisarli Ahmet
Symp. Organization Chart
Symp. Archive
Past Symposiums
12th Symposium (2022)
Special Publications
13th Symposium
General Information
Important Dates
Participation Fee
Transportation
Presentation Guidelines
Committees
Honorary Board
Executive Board
Scientific Committee
Organizing Committee
Activities
Mixed Exhibition
Contact
Abstract Submission
ANNOUNCEMENTS
13th International Hisarli Ahmet Symposium
'The Theoretical Background of Music Performance'
8 - 11 June 2023
Kütahya Hilton Garden Inn
Abstract Submission Form
Number of Authors:
1
add
remove
Author 1
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 2
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 3
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 4
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 5
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 6
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 7
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 8
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 9
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Author 10
Name-Surname
This field is required.
Institution (programme if student)
This field is required.
Email (actual, in use)
This field is required.
Brief Resume (max. 100 words)
This field is required.
The Resume is requested to introduce the author during sessions.
Abstract's Subcategory (Maximum 3)
Acoustics
Aesthetics in Music Performance
Analysis of Interpretation
Autographs-Editions
Choice of Repertoire
Contemporary Music Performance
Creativity and Inspiration in Music Performance
Criteria for Music Performance Criticism
Early Music Performance
Exam/Audition/Stage Anxiety in Music Performance
Instrument/Sound Design and Construction
Music Performance Applications During COVID-19
Music Performance Evaluation Criteria in Instrument/Voice Training
Physiological Basis of Music Performance
Sound Recordings, Mixing And Mastering
The Relationship Between The Composer and The Performer
The Relationship Between The Score and The Performance
The Role of The Instrument in Music Performance
Traditional Music Performance
Transcriptions-Arrangements
Please select a subcategory.
Abstract Title
This field is required.
Abstract (100 - 300 words)
This field is required.
Keywords (comma separated, 3 - 5 words)
This field is required.
Corresponding Author
Name-Surname
This field is required.
Email (actual, in use)
This field is required.
Mobile Phone
This field is required.
Shipping Address
This field is required.
Shipping Address is requested for possible document / material shipping.
Comments / Requests (if any)
Submit